#workshop: onstage

[derekklenadaily]

onstagecollectiveofficial: 🤯 What a lineup! Do you have your application in yet??😍 You do NOT want to miss working with these Broadway guest artists in June!#broadway #chrismccarrell #lightningthief #lightningthiefmusical #aladdin #drewgasparini #derekklena #moulinrougemusical #moulinrouge #comewhatmay #moulinrougemusical #moulinrougechristian #anastasiamusical #sunsetboulevard #newyorknewyork #onstagecollective #auditions #singersofinstagram #actorsofinstagram #dogfightmusical #wickedmusical

[aropride]

i cannot even describe how sure i am that there will be another mcr concert someday . Like ive been known to falter in my mcr5truthing (in the same way as peter when he tried walking on water & jesus reached out a hand to save him) but truly genuinely from the bottom of my heart those bitches will be back i know they will be

[actingmasterclassseries]

Summer Stand-Up Comedy Workshop

Let's talk about stand-up! Lately, this has been our most requested class. If you have questions about building your set, touring, comedy etiquette, or connecting and working with bookers, you may find this workshop informative and worthwhile.

[bookwyrmbutch]

First Time on The Land

It is an eight hour drive to the Land, and I’m anxious the entire way. I’ve never liked meeting new people, and I’m terrified that my wife and I had wasted a ton of money on what would inevitably be a miserable experience.

But when we arrive at the gate, my anxiety is thwarted by a parade of helpful womyn who guide us through the check-in process. I drive through the Land at 5 miles per hour, and wherever we look, there are womyn. They're busy unpacking or talking to one another, but when a car comes by they all wave and smile, shouting "welcome home!" The Land itself is beautiful, a pristine forest with a blanket of ferns covering the ground. Everything is green except the asphalt walking path that shimmers with leftover rain. As we get further in, tents pop up everywhere, nestled side by side. Plastic flowers are staked into the ground, and clotheslines strung between the trees bear Pride flags and handmade tapestries that flutter in the breeze. All of this is woven so seamlessly into the natural forest that I can’t quite believe it’s temporary.

There is an opening ceremony before the first concert. A womyn stands onstage and sings, and hundreds of womyn join her. “I am open, and I am willing, for to be hopeless would seem so strange. It dishonors those who go before us, so lift me up to the winds of change.” I am already crying and I know if I lift my voice with them that I will sob, so I keep my head down.. I’m not ready to be open.

The next day we wake up to a choir of women singing in the morning chant circle, and BMG starts in earnest. Womyn of all backgrounds volunteer to share their knowledge in participant-led workshops on writing, poetry, drumming, quilting, whaling, massage, salsa dancing, indigo dyeing, lesbian history, Nordic runes, plant identification, body painting, detransition, butch identity, and more. There is an archery range, a movie tent, and a large vendor space where womyn sell their wares. Shuttles driven by volunteers trundle up and down the dirt path, ferrying womyn across the land. The days pass in a flurry of activity, both of us exhausted but unwilling to rest. We try to do everything, much to the amusement of the older lesbians watching. They know what we don’t, which is that being here is enough of an event by itself, and the conversations we’ll have before and after these workshops are as valuable as the workshops themselves.

I’m continuously stunned by the generosity on display. One womyn cooks breakfast for two hundred, and another makes lunch the next day. We overhear a womyn give a stranger her spare air mattress. My wife tells me she has a headache and a passerby gives her an electrolyte packet and an apple. A woman offers me a comically huge blunt during a night concert, and another shows me where she stores her food when I compliment her ciabatta.  Everywhere we go, womyn stop to talk. In workshops, I stand up (tits out!) and speak my mind, and womyn listen. I smile at everyone and say “good morning” to whoever I pass. And at some point I notice... I’m not anxious. I’m talking to strangers all day and it feels wonderful.

At the closing ceremony a womyn sings to us again, and everyone joins her. “I am open, and I am willing…” This time, I’m able to join in on the second chorus.

Sunday is bittersweet. My wife and I wake up early and cry into our oatmeal. We decide to take a walk before going back to our tent, unable to face packing up. I could sense the fear - absent for five glorious days - waiting for me outside the gates. Once we’re all cried out, practicality takes over and we pack our things, load the car, and head out. 

Two womyn stop us at the gate. 

“Are y’all coming back next year?” one asks. We say yes.

“Good, because I know your faces now!"

The other pipes up, “Faces? I’m going by breasts!”

The knot in my chest loosens as I laugh, and we drive home.

We have our wristbands, our sunburns, and a new labrys necklace. We carry a warmth, a brightness, in our chests. But a few days in, the feeling disappears and I can feel my walls going up again. That unconscious tension in my gut. A week after re-entry, my bruise from archery fades, and with it the feeling of being on the Land that I could once call up so easily just by taking an extra-hot shower, or a long walk outside. Now as I write this, I can hardly remember the person I was this summer. She’s waiting inside me to make her appearance again. 

There are times I feel her stirring: when I connect with other womyn like me. When I feel grounded and at peace with myself. And sometimes I can feel her revolting when I try to duck back under the yoke of other people’s expectations. I’ve seen what life can be like without that now, and I can never really go back. It feels like there will always be a part of me waiting under the trees.

Thank you @nansheonearth for challenging me to write about my experience on the Land, and for helping me find it in the first place.

[bellesdomain]

Updating Starlight in Bochum

So... the German production has had a lot of rewrites over the years. Understatement, but bear with me here... first MAJOR overhaul was in 2002, when the show imported a lot of material from the just-closed original London production.

Next in 2007/2008, the show got tweaked, cut back somewhat, and material from the US/UK Tours was imported. The show was smaller and cheaper to run.

In 2013, the material received another major overhaul and became more cohesive than before - rather than a threadbare attempt to put on a big-scale production, things like the orchestrations were modernised to actually suit a smaller digital band. "I Do" got imported from the UK tour at the same time.

Then, 2018, obviously MASSIVE changes to the show after the 2017 workshops. All that work was done to "fix" the problems with the show as seen in the 2017 "One Night Only" English-language gala.

Since then? Well, the Creative Team have been very busy in 2023/2024 mounting the Wembley revival show, with a lot of new material, new designs, new characters... pretty controversial changes but well received by the public.

2002... 2007-08... 2013.... 2017-18.... see a pattern there? Pretty much every 5 years there's been a major update to the German show. COVID has thrown a spanner in the works, I think they wanted to mount the UK Revival more like 2020, 2021, so there's a delay in the schedule. But I think that 2025 is going to bring major updates to the Bochum show.

But what updates? The Wembley show is "Non-Replica", which means the Direction is by Luke Sheppard not Trevor Nunn (or Arlene Phillips recreating his work). Choreography belongs to Ashley Nottingham not Arlene Phillips. Costume Design is Gabriella Slade's work not John Napier. Arlene Phillips was given the vague title of "Artistic Dramaturg" for the Wembley production, but none of her input under that role is going to specifically BELONG to her, in a legal sense. I assume. Unless there's been some very interesting wording in contracts...

So, how are they going to update the Bochum show? The credit for a Female Greaseball, for example, presumably goes to Director Luke Sheppard. If they change Greaseball's gender in Bochum, they have to credit (and pay!) him for using his work. Gabriella Slade's costume designs being used means Gabriella Slade gets paid for their use - but what is John Napier's contract with the German production? Can they just - STOP using his work and stop paying him for the costumes, while still using his set design? (and obviously, they're not about to stop using that!) Seems likely that he would have a clause in his contract to say that they can't just cut him off - which would explain why he returned in 2018 to design the new characters when he had already decisively retired. But if they do add the new characters, would they get John Napier back to design more? Would a new "Associate Designer" work with him for the show?

Musically the question is simple - Andrew Lloyd Webber has the melodies, Richard Stilgoe has the words. They can add in "Hydrogen" with no difficulty, but the problem lies in who is singing it and why!

But contrary to popular opinion Andrew Lloyd Webber is not the story writer nor the absolute authority on decisions. I believe he has the power to veto decisions, but he doesn't have the power to push things through without the full agreement of the rest of the Creative Team.

So... I have no idea what will ACTUALLY get put onstage in Bochum next year. I expect the Really Useful Group Contract Lawyers are working hard to iron this all out, because it does all boil down to money - who is gonna get paid for their work! Pay Artists fairly! But also boils down to producers wanting to run the show as cheaply as possible to maximise profits, because capitalism.

One thing I am sure of is that we're overdue some significant rewrites to the German show. Keep an eye on casting and the New Kids joining the show in the new year...

[benzgarfield]

Benz, Nut, and Pon at Grand Open House of IDEA LIVE

ETA: ENG Sub here

They talk about Benz receiving his Master's degree ("Doctor Benz next")

They give a shout out to Nut's heels

Pon gives a spoiler for Pit Babe 1st Anniversary and says that there will be a new song

The interviewer asks if there will be new artists and they're quick to insist that the artists are the same

They're asked if Tony will be joining and said to tweet if you want to see him onstage

Benz says production has leveled up, skills have leveled up, the new song is "not inferior to Speed of Love," and also that Nut's height has leveled up

They talk about a fitting and workshop (but it's a little unclear what was said - 5:38 if someone with better hearing wants to take a look)

In regards to one-upping Pavel's motorcycle at the PavelPooh fanmeet, Benz jokes that this one will have a car and maybe a boat, and Nut says he wants to rappel down from a helicopter

[jgroffdaily]

https://www.nytimes.com/2024/10/09/theater/jonathan-groff-bobby-darin-broadway.html

Jonathan Groff, Fresh Off Tony Win, Will Return to Broadway as Bobby Darin

“Just in Time,” a new musical about the “Mack the Knife” pop singer, will open next spring at Circle in the Square in Manhattan.

Jonathan Groff performed a concert version of the show, then called “The Bobby Darin Story,” in 2018 at the 92nd Street Y in Manhattan. Credit Richard Termine

Jonathan Groff, who won his first Tony Award in June for starring in a hit revival of “Merrily We Roll Along,” will return to Broadway next spring to play Bobby Darin in a biomusical he has been developing for years.

The musical, “Just in Time,” is to begin previews March 28 and to open April 23 at Circle in the Square Theater in Midtown Manhattan. The theater, with its close approximation of an in-the-round experience, will be configured to accommodate an immersive nightclub-like staging, with a 16-person cast, an onstage big band, two stages and some cabaret-style seating.

The show began its life in 2018 at the 92nd Street Y as a five-performance concert called “The Bobby Darin Story,” and has been developed through a number of workshops. In an interview, Groff said he hadn’t been sure what to expect from that initial run, but that “it lit me up.”

“There is some sort of kinetic magic that happens with the live execution of his material,” said Groff, 39, who was also a Tony nominee for “Hamilton” (he played King George III) and “Spring Awakening” (his breakout role). He has worked extensively on television (“Glee,” “Looking” and “Mindhunter”) and reached global audiences with his voice work as Kristoff in Disney’s “Frozen” films.

Darin, a singer-songwriter whose pop career peaked in the 1950s and ’60s, is best known for the songs “Splish Splash,” “Mack the Knife” and “Beyond the Sea.” He suffered from a heart condition, and died at the age of 37.

“Dramatically he’s really interesting, because what do you do when your whole career is on borrowed time?” said the musical’s director, Alex Timbers, who won a Tony Award for directing “Moulin Rouge!” “His life was lived at high-octane speed. A woman he thought was his sister ended up being his mother. He went on a whole voyage into folk and pop and then decided he was a nightclub animal.”

The musical has a book by Warren Leight (a Tony winner for “Side Man”) and Isaac Oliver and will be choreographed by Shannon Lewis. The show was conceived by Ted Chapin, who wrote the initial script and produced it at the Y as part of that institution’s long-running Lyrics & Lyricists series.

“We all got invested and excited about the idea of telling his life story in this environment of a night club,” Groff said. “We’re playing with the genre of the biomusical, trying to find our own unique point of view and way into not only his story but also the genre itself. There’s a bit of experimentation happening here.”

The lead producers of “Just in Time” are Tom Kirdahy, Robert Ahrens and John Frost; the musical is being capitalized for up to $12.5 million, according to a filing with the Securities and Exchange Commission.

[rhondafromhr]

First little snippet of “Peanuts the Musical: Story of a Squirrel”

Summary: The Starlight’s highly anticipated production of Peanuts the Musical: Story of a Squirrel brings with it chaos, camaraderie and copyright infringement. It also gives Ruth a chance to overcome her stage fright, Brenda the chance to shine as a choreographer and Grace the chance to supervise the show and keep it as wholesome as possible. On the rollercoaster that is the road to opening night, the three girls form an unexpected friendship that just might lead to a backstage romance.

Ruth sits cross-legged atop her messy twin-sized bed among her many plushies, which she’s carefully arranged so that they all face the clunky old TV sitting on her dresser. This is an important moment, possibly the most important of her life, and she’s going to share it with them. She feels sort of stupid and childish doing it, but she’s kind of scared to face this moment alone and nobody else is around. She leans forward, eyes trained on the screen, resting her chin on her hands.

“Good evening Hatchetfield, I am Dan Reynolds with Action News, weekdays at ten PM. Tonight’s top story: a winner for the Local Writers’ Workshop has finally been chosen to be performed at the Starlight, and let’s just say, we think you’re gonna go nuts for it.”

He flashes a cheesy, but inexplicably charming grin at the camera. Ruth feels a faint sheen of sweat on her skin, and not just for the usual reasons. Her window is wide open, holding a box fan that’s currently on full blast, but neither the gentle hum nor the cooling breeze seem to bring down Ruth’s temperature or quiet the nervous, restless energy coursing through her body. She grabs a handful of sour candies from the bag on her nightstand and pops them into her mouth; she read on what looked like a very legitimate website (it had ads for sexy singles in the area looking for a good time and everything!) that they can help reduce anxiety. They don't do much for her in that regard, but at least they’re at least enjoyable as the chewy, gummy texture slowly melts in her mouth and the flavor goes from tart to sweet and mellow.

“That’s right, Dan,” says Donna cheerfully, adjusting the papers in her hand. “If there are two things all of us here in Hatchetfield can agree on, it’s our burning hatred for the putrid hellhold known as Clivesdale and our boundless love for Peanuts the Hatchetfield pocket squirrel. With this jukebox musical, his incredible journey of perseverance will come alive onstage, featuring hits from ABBA, Nine Days…” Donna squints at something in the distance, probably the teleprompter. “What’s that say? Starkid? Some band named Starkid? Who’s that?” She turns to Dan, who looks equally confused and shrugs. Donna quickly composes herself and returns her gaze to the audience. “And many more.”

”That’s right, Donna!” Dan flashes the audience another one of those grins and seems to address them directly. “And if you, dear viewers, want to be a part of the excitement, open auditions are being held at the Starlight this Saturday starting at noon.”

Well, that settles it. It’s Peanuts! And who wouldn’t want to be in a musical about Peanuts? Ruth is going to have to do the unthinkable, the thing she’s feared and wanted the most for years. She’s going to have to march right down to the Starlight (or, more likely, get a ride from her mom since it’s all the way downtown) next Saturday, sing and act her heart out in front of everyone, and land a role. She wonders if it’s too late to get a new headshot before then, or at least touch up her current one. She’s been bugging Richie to help augment certain areas of it ever since he started getting good at photoshop. She really thinks it’ll add a touch of class and help elevate it to the next level.

Oh, how can she think about that right now? Well, she’s Ruth, that’s how. But there are more important things and there’ll be time for big bazongas later! First things first, she needs to pick an audition song and start practicing like her life depends on it.

[fallinginaforrest]

SPOILER WARNING FOR WORKIN BOYS, I BREAK DOWN MY FAVOURITE SHOTS. SPOILERS WILL BE HERE. YOU HAVE BEEN WARNED.

Okay here's my opinion:

Curt being the DP for Workin' boys is the best thing that coulda happened to it. There are so many choices that were made during filming that just absolutely heighten the level of comedy. It's shot like a Mockumentary almost? The shakycam and the randomized movement? As someone who wrote a Mockumentary last year, I can only dream of pulling off a film like this.

A couple things I wanna point out:

-the minuscule push in on Hidgens when he realises he won the workshop competition feels very office-ey.

-the cut back to MK's amused face had me WHEEZING

-the pan over to Paul as be reminds Hidgens to remember the changes

-"apparently a musical about six men bonding on a football field isnt 'of the times..."'etc, this line right here felt like a talking head, I appreciated it.

-those time cards eg: "Rehearsal #2, 28 days until opening" lent itself so much to the documentarian feel of it.

-"wow, what an auteur", not a camerawork comment but I appreciate the joke for all of the film and theater theory studiers

-the "rehearsal montage" I love a good meta joke.

-even in this montage, the camera is never really onstage. At all. Like, it's always situated off to the side or in the audience, and then zoomed in, the documentarian is trying to capture all of the action on stage instead of trying to make us feel immersed in the rehearsal process. We're not really aligned with any of the characters, we're an audience, and we better stay that way. For our own sake.

-and then this dynamic totally changes, and shifts away from the mockumentary feel

-but I'll get to that in a second

-henry is almost always by himself in the shot. I think the one of the only other times that the entirety of another character's face is seen alongside Henry's (I mean, both faces are CLEAR and uncovered in the shot) is in the two shot of him and Paul's stage manager in the rehearsal montage. He is totally singular in his experiences with this show! He is not one of these girls, if anything he is opposed to them. And this becomes clearer later, but it's a nice seed to sow, establishing that he is not in a collaborative mindset at all. The only other time I can think of is him and Zoey behind the curtain, even then, the only time both of their faces are actually IN the shot is when they're behind all the workin' girls. There's probably more but ykwim.

-also the sheer number of times that Henry is off centre in the shot with just a bunch of space surrounding him.

-okay after "two week notice" or whatever tf that song is called (Kim sounds amazing as always) is when the style shifts. It feels less like a mockumentary and more like this sort of voyeuristic peek into Henry's psyche. I LOVE IT.

-the fact that he is never shown in the shot with the workin' boys! It makes you absolutely feel like he is just talking to the air around him (this is hatchetfield so who knows, either way its unsettling)

-we get aligned with ruth, for the first time, we see the audience from the perspective of a character, not just from a stage POV

-the camera roll!! We don't get a full rotation but we feel dizzy and unsettled when we look at ruth, which is exactly how she feels!

-camera roll close up on Zoey. Uncomfortable, unsettling! Rests in a canted angle before continuing to roll on Hidgens! Who is centered in a low angle shot! We don't see the axe until he brings it up to his face! He is not only in a position of power here, but revealing the axe only when Henry makes it clear he is gonna kill them makes it clear that he calls the shots! We've departed from the Mockumentary style completely, as if this was never a documentary to begin with, more like we're flies on the wall or spirits in the theater or omniscient eldritch beings... anyway-

-long shot of Henry dragging zoey's body, no footage of them being killed, aligns us with the audience

-our friend the camera is getting shakey again, the chaos is in the process of ensueing

-THE PULL OUT SHOT OF GRACE WITH THE GUN. I GASPED. I KNEW IT WAS GONNA HAPPEN AND I GASPED. Fun fact on my first watch I thought this was a dolly shot but I dont think y'all are fitting a dolly on the Hudson theater main stage steps, and also the distance is too short so it must have been a pull out. It was REALLY SMOOTH.

-notice, when grace quotes the bible, we are EVER SO SLIGHTLY looking up at her. It gets progressively more obvious the further she gets into the line, but she has the power now. Somehow she always ends up with the fuckin' power, maybe I should convert to christianity smh.

-shakeycam is back again baby!

The creative minds put so much love and care into Hatchetfield, and you can tell that every project is a passion project. People know starkid primarily as a theater company, and that's great and all, but in reality it's an Avenue for all kind of creatives to not only have the opportunity to create all kinds of amazing things, let alone theater, but also have a way to show people. It's moved past being a theater company, with things like Starkid returns and Workin' boys, it's more like a production collective, and it feels like the beginning of a new era. Not only in terms of broadening the way that they Express themselves and be creative, but also in terms of finding a new niche in the industry. Finding a new, wider audience. Because yeah, you're always gonna have people that dislike the new media you produce, for nostalgia's sake or whatever, but beyond that, there are going to be be people that absolutely love what you have to offer. There's no point in trying to revert back to the way it was before, or trying to cater specifically to an audience from an era gone by. How do you grow as an artist if you're always thinking in the past? Starkid is moving in a new direction. The next musical is likely not going to be hatchetfield, but I dont even mind because it's going to be new. New is always good, and Starkid has a bright future.

TL;DR @curtmega you're a literal genius, and starkid is TOTALLY AWESOME

[adarkrainbow]

I will complete my trilogy of Hansel and Gretel stage adaptations of fascinating visuals with this piece. I made several posts about the Royal New Zealand Ballet's adaptation and its homages to Germanic cinema (and obscure carnival traditions). I reblogged something about the Hänsel and Gretel concert of Lindemann-Tägtren and its disturbing, horrifying but also darkly clownesque visuals... And now I bring you the San Diego Opera adaptation of the famed Hansel and Gretel opera, with quite impressive puppetry!

I will copy-paste here the content of an article by Beth Accomando, which can be read in its original form here.

It’s not every day that an opera singer gets to bring a cannibalistic witch to life.

"I lure children into the forest and I cook them into gingerbread cakes and then I eat them. It's delightful," said tenor Joel Sorensen.

But what’s not so delightful is having to wear a big puppetry rig to create a larger-than-life witch onstage.

"I am a puppet," Sorensen explained. "The witch is a puppet, a very large puppet. And I have a colleague, Iain [Gunn], behind me. He bears the bulk of the weight on his back. So I'm basically working with a puppet while trying to sing and convey a character. It's a real challenge."

The challenge for director Brenna Corner in bringing Engelbert Humperdinck's "Hansel and Gretel" to the San Diego Opera stage was how do you bring a fairy tale to life?

"One of the things that I think is really tricky about 'Hansel and Gretel' is size. How do you make two grown-ups look like they're kids and two other grown-ups look like they're adults? And then someone else looks sort of even bigger and more powerful. And quite frankly, the best way I could figure out how to do that was puppets," Corner said.

So anything that was not human became a puppet. Like the witch.

"It's different in that it's not my physicality. So, because I'm manipulating her hands, her arms, and I'm working in tandem with [Gunn] so I can't move as quickly as I might normally or as sharply but facially and vocally, I'm trying to do the same things that I would do if I were performing it without a puppet," Sorensen said.

Now if you are thinking of puppets as something you put on your hand, think again. Imagine actors completely enveloped in layers of fabric with a large sculpted head or face high above their shoulders and an arm span that exceeds 10 feet.

"We had to really kind of blow up the notion of what a puppet is in order to successfully encompass the fusion of opera and puppetry," said Judd Palmer of Old Trout Puppet Workshop in Calgary. "Our inspiration was classic 19th century children's book illustrators like Arthur Rackham or N.C. Wyeth. We wanted the whole thing to feel like it comes out of a book and it becomes the illustrations coming to life like a pop up book."

Palmer designed the puppets for a production in Canada and Iain Gunn of Animal Cracker Conspiracy here in San Diego is now the puppeteer working with Sorensen to play the Witch onstage.

"I get to live inside this character that I'm helping to bring alive," Gunn said. "But she has her own voice standing right in front of me. I don't know how to describe it, but I feel like I am transported inside this imagination. It's like I'm in the 'Time Bandits' or something like that where … we're doing something magical and it's a magical character and the only reason it's alive is because we're in there giving it our all. So it's pretty cool."

The puppets engage the audience in a unique way.

"It's this agreement that the audience makes with the performers," Corner explains. "That we agree not to see the person who's obviously a person and instead we agree to look at what is fabric and some PVC pipe and a plaster-like face, right? But we agree to do that. So what's extraordinary to me about puppetry is that as an audience, we're continually investing our imagination in seeing the thing that the performers want us to see and then as the performers keep investing in that then all of a sudden they go away. They don't exist there anymore and it becomes something else kind of magical."

By not trying to fool the audience and instead asking them to play along in this game of make-believe, the audience becomes a co-conspirator.

Palmer pointed out, "You can see the puppeteer right there in a ridiculous outfit. They're sweating and panting from having to run across the stage and they're waving the puppet around. It lets us all in on the joke in a way but also in the kind of the dream. It makes it evident to everybody in the audience that they are going to have to invest imaginatively in this in the same way as the people on stage are."

It's recommended that you bring a child-like sense of imagination to this show.

"That joy that you had when you were a kid," Corner said. "And you could imagine what would happen if a stick was suddenly a giant scary monster. I think that's what you want to bring to this production because that's what this production creates is the sense of wonder and joy and mystery that's inherent in being a kid."

And inherent in a story that begins with the magical possibilities of once upon a time…

San Diego Opera’s production of Engelbert Humperdick’s "Hansel and Gretel" opens Saturday and will have three additional performances through Feb. 16 at San Diego Civic Theatre.

[doomandgloomfromthetomb]

Prairiewolf - Inspiration Barn, Longmont, Colorado, September 28, 2024

A beautiful (if unseasonably warm) night in Longmont! Last Saturday, Prairiewolf played our new record, Deep Time, in its entirety in a century-old barn. It was a blast — and we even made it through the one Deep Time song we hadn't debuted live yet, the tricky "Wheel of Persuasion." It sounds killer, its ghostly atmospherics ricocheting around the rafters. We also brought our pal Matt "Rayonism" Loewen out on clarinet for the closing "Revisionist Mystery > Journey In Satchidananda," which all together stretches out for a good 15 minutes. Yowza. Listen in on the Archive (while you still can!?).

The whole evening felt like a nice culmination of the 'wolf's 2024, which started out with recording our new LP, moved into workshopping it all onstage, took us on a brief/wondrous tour out west and finally brought us back to the Rocky Mountains for more fun shows (and endless hype, haha).

Deep Time has been out now for almost two weeks and it has been great to get it out in the world, in spite of vinyl-related manufacturing delays. One more reminder that you can get it on CD (with bonus mystery disc), LP or digital via Centripetal Force (North America) and Worried Songs (UK + Europe). However you get it ... get it!

[consanguinitatum]

David Tennant's Plays: An Experienced Woman Gives Advice (1995)

I haven't done a thread on any of David's plays in a while, so I had some time yesterday to rustle one up about his 1995 play, An Experienced Woman Gives Advice. It premiered 28 years ago yesterday (which was why I chose to do a deeper dive about it) so let's get into it! An Experienced Woman Gives Advice (I'll use EW to refer to the play from here on out because what a long title!) would be David's first time performing onstage at the Royal Exchange Theatre in Manchester.

Prior to winning his role in EW, the last play David had done was What The Butler Saw as Nicholas Beckett, a role he was warmly praised for. What The Butler Saw ran for two months at five different venues around England before closing its run at the Nottingham Theatre Royal in late May 1995.

EW's playwright, Iain Heggie, had seen phenomenal success with his 1987 tour-de-force, A Wholly Healthy Glasgow. But in the years afterwards, Heggie had produced only a few more plays before deciding he'd rather go back to teaching and let his writing commence at its own pace.

Originally written as a miniature sex comedy, EW was long in development, and received further script development workshops at the Royal Scottish Academy of Music and Drama in Glasgow in 1992, and at the Traverse Theatre in Edinburgh in 1993.

Its world premiere would see Heggie's return to the stage.

Initially, it might have seemed odd that EW - with its Glasgow setting, Scottish writer, and fully Scottish cast - didn't make its debut in Scotland. But because Heggie and the Royal Exchange had similar actor-centered outlooks and many of the artistic directors in Scotland preferred a more visual style, Heggie chose to work with the Royal Exchange (who liked his work anyway) and the play made its debut in Manchester.

Previews for EW began at the Royal Exchange Manchester on 21 November 1995, with an opening day of 23 November 1995. It had a small cast of five: Siobhan Redmond as Bella, David Tennant as Kenny, Jenny McCrindle as Nancy, Alastair Galbraith as Irving, and Alexander Morton as Stick. It was directed by Matthew Lloyd, and its assistant director was Marianne Elliott.

The set, which was designed by Laurie Dennett, was quite sparse - a communal back garden and garden shed of a block of Glasgow tenement flats. The music was composed by Paddy Cunneen, who fans will recognize from many other projects he did with David, some of which I've previously done deep dives into (like Sunburst Finish, The Pillowman and Bite).

The three-act play had a runtime of 3 hours and 20 minutes, with two intervals - one 15 minutes in length, the other 10 minutes in length. It closed its run on 16 December 1995. Tickets were priced from £5.50 to £18, with matinees on Wednesdays and Saturdays.

The action takes place on two Sunday mornings and opens with Bella, who's a 39 year old teacher, gardening in her back garden. We learn she's in a three-year long relationship with a live-in toyboy lover, Kenny (DT) who's a former pupil and 15 years younger than her. And that he didn't come home the previous night.

Bella calls Kenny her "charming, fallible boy", and she treats him like one. Former lovers say he's "tall, kind of blond, with a lovely lean build" and "incredibly rich brown eyes." There’s "just no resisting him,” and he's "bastardly good looking.”

David in rehearsals as Kenny (from program of An Experienced Woman Gives Advice)

In a series of interruptions from people passing into the garden, Bella (Redmond) dispenses advice to the inquiring strangers Nancy and Irving (Galbraith), and learns Kenny spent the night with another woman...from the woman herself, Nancy (McCrindle), who doesn't realize who she's told. What Bella does with this information - and how her meticulously cultivated freedom of choice lifestyle shatters, especially given her first love, Stick (Morton) lives nearby - is what the rest of the play explores. We see love, lust, and lies play out as Bella makes her choices.

And there's a scene with Bella and Kenny...and sex behind the doors of a rocking, exploding garden shed!

I haven't been able to locate a production script of the play to see whether this scene was enacted onstage, but Heggie's published script book says this scene, where Bella strips Kenny of his clothes piece by piece before they go into the shed to have sex offstage, had some brief nudity. None of the play reviews I've been able to find mention any nudity, though one article about the play does state that due to "strong language and the sexual nature of the story, the play is not suitable for children under 15." (I don't know how much weight I should give this particular article, however, because it also calls the lead character "Maggie" rather than "Bella"!) Anyway, if this scene was included in the play, it would be the second known instance (the first being that now-infamous What The Butler Saw full frontal nude photograph) where DT was onstage in the buff!

Speaking of reviews, they were wildly different - some found it hilariously funny with barbed, sharp dialogue, while others found it fatiguing. David's "able portrayal" as Kenny was praised as part of an extremely talented cast, and his was called a "great performance".

David and Siobhan Redmond earned Manchester Evening News Theatre Awards (MENTA) nominations - Redmond for Best Actress, and David for Best Actor in a Supporting Role. They also earned British Regional Theatre Awards nominations; Redmond for Best Actress and David for Best Actor. The play itself was also awarded a MENTA nomination for Best New Play. Redmond won both her nominations; David and the play didn't.

Photos from the play are almost nonexistent. I haven't located any images housed in any archives anywhere...so far. That doesn't mean they're not out there, mind you, just I haven't found them yet! I did manage to find a few of horrible quality while digging around in newspaper archives (I'll refrain from venting here about the quality aspects of digitizing newspapers, as that's a rant for another day) but it's a damned shame. I mean, in one of these, David just looks like a David-shaped black hole with floating arms! Nevertheless, I'll leave them here.

Something else I found fascinating during my research was that, like many venues, the Royal Exchange had a tradition of scheduling at least one informal discussion with the director and members of the company for each of their productions. While I didn't find any information on whether a discussion of this sort occurred during EW's run, I have to assume it did. Ah, to be a fly on the wall for that!

And that, my friends, is pretty much the story of An Experienced Woman Gives Advice! I wish I knew much more about this play, but like many parts of David's theatre career, wide gaps in our knowledge remain. But I keep on looking.

Thanks for reading!

[aropride]

am so confused,,,,i thought gerard way was a transwoman??????? top ten mew confusion moments @_@

I DIDNT SEE THIS EARLIER HI. ok so well first u would not believeeee how many people argue abt this topic online 😭 second: they havent said specifically what labels they use but they said theyve "always preferred he/they" and that "ppl can use whatever i dont really have a preference" and apparently dressed as a girl during high school and college & theyve talked abt gender and stuff and how they wouldve gone 2 a gender therapist of they couldve at the time. and in hit unreleased song everybody hates the eagles which they workshopped onstage over several shows (insane thing that happened And i watched this on instagram live. insane. bonkers.) they called themself a girl so. theyve not like Officially publicly labeled themself as nonbinary or gnc or trans but at this point i think its a little silly when ppl get mad at each other online for saying theyre probably under the trans umbrella

[adridoesstuff]

So all I've seen of Czech Elisabeth is what you've posted, but - thoughts/notes on Smrt's and the angels' costumes?

I'm always here to talk about the Smrt and angel costumes because oh my god, do I love them.

(More under the cut)

Smrt and his angels are designed to look very birdlike, specifically like carrion crows/ravens, who are frequently associated as symbols/bringers of death. The choice to really lean into the bird-inspired costumes was especially smart when combined with the Czech translated lyrics, which really leaned into the bird-associated symbolism in the text.

I must confess that when I first saw the production photos, I didn't like the costumes. I think it might have been because I already had the association formed that Tod in a pleather costume is not a good choice. However, what really made me love the costumes is when I saw them onstage and saw them in movement. I don't know what kind of weird pleather the costume workshop used, but despite obviously being pleather, it had such beautiful light movement on both Smrt and the angels and flowed so beautifully every time they moved.

The angels all wear long coats with hoods, one of their sleeves is close fitting and covered in little "feathers" and the other is made to look like a wing. The wings, aside from creating gorgeous movement, were also used to create Rudolf's grave during Totenklage, which was an absolutely genius move.

(Two of the angel dancers with Jan Kříž as Smrt)

Smrt is given a different costume to clearly differentiate him as the leader of the flock/not an angel himself. And I honestly think his costume is ICONIC. He wears a pretty standard undercostume of pants with knee high boots and a vest, but I like that instead of buttoning straight down the front, Smrt's vest buttons diagonally. Which is a tiny detail, but it shows that Smrt is not a human.

And then, there is that absolutely EPIC coat. The coat is pretty simple at first glance, but just the way it's patterned and cut is very interesting, since the front is cut a bit shorter so the Smrt actors don't step on it, but the back pieces are kept longer to have more movement in the garment. And the back was given triangular gores in the "skirt" of the coat for even more movement.

And of course, instead of the wing sleeves, Smrt has a feathered shoulderpiece made out of various types of feathers, most prominently rooster feathers, which throw subtle green and blue reflections under the stage lights. Once again, I have to mention the movement, because those feathers at moments seemed to live a life of their own, almost ruffling themselves up with the movement.

Also, you might have noticed I talked about the coat and vest, but not a shirt and that is because Smrt just doesn't wear one. Which is just a detail that is so subtle, but when you know about it, it is just one more of those details that just show that Smrt is not a human. And if you need proof that there indeed isn't a shirt (and this is an excuse for me to include one of my favorite silly pictures of Pavel Režný as Smrt):

And of course, the makeup deserves a mention, because once again, it's ICONIC. Both Smrt and the angels wear a bold black eyepaint, with the angels sporting a more graphic liner look alongside black lipstick and Smrt having a more simple, but varied look through the production's 4 year run.

And what I think speaks to the greatness of the costumes is that the actors themselves were fond of wearing them. Pavel Režný in particular seemed very fond of his Smrt costume and makeup, doing the pre-show soundchecks in almost full costume and with the eyepaint, donning the full Smrt costume and makeup for concerts only to have to immediately take the full thing off and after the production derniere in Brno evidently not taking the Smrt makeup off until he returned home in the middle of the night.

Pavel Režný also went through multiple hairstyle changes through his run as Smrt, since he had to grow his hair out for Jesus Christ Superstar. So, after the derniere, we got a full on Jesus!Smrt moment for an offstage event. Tbh, I wish we had gotten this more flowy hairstyle on Smrt onstage while the show ran, because it is a look tbh:

Hope I didn't make this one too long and overwhelming, but I just love this production so damn much and feel free to ask more about it!

[angelofrainfrogs]

Into the Pit: Ch. 4

~Coauthored by @zeitghest~

Fandom(s): Five Nights At Freddy’s: Security Breach

Description: He should be in the Daycare. 

Gregory emerges from the ball pit to find not the bright, rainbow room he’s accustomed to, but a house with a huge backyard and a kiddie pool of plastic “water.” Calling for Gregory is a familiar voice—Michael. Only this time it’s not Charlie or Freddy by his side, but someone completely new. And why do they insist on calling him their son?

Gregory soon comes to realize this existence is vastly different from anything he remembers. Perhaps these last few weeks at the Pizzaplex have all been a dream…?

Rating: T

Read on Ao3

Without fail every time they visited the Pizzaplex, after family check-in Gregory’s goal was to immediately find Freddy and say hello. Even if he had other plans for the day, the kid made sure to track down the huge bear and at least give him a quick hug before scampering off. It was endearing, and Mike was grateful that Freddy seemed to love Gregory just as much as he did. Whether this was because the kid was technically an Afton or simply because he spent so much time with the animatronic was anyone’s guess, but no sane person would deny that the robot seemed to have a soft spot for the little ball of energy.

Gregory led the way at first, though as the crowds started to spill back in he deferred to Michael’s side and let Liz take the lead. Eager to be free of the tiny workshop, her pace was fast and direct while she headed towards Rockstar Row. The area was just as Gregory remembered, with the Glamrocks’ rooms lined up neatly. All the curtains were open except for Freddy’s, and there was a sign outside the plush red velvet that read:

SORRY! FREDDY IS RESTING, BUT WILL BE BACK ONSTAGE SOON!

It was Evan who knocked on the door, seeming nearly as eager to see the bear as Gregory. Despite his horrible fear of animatronics as a kid, he’d grown to love them—especially as their designs became friendlier and friendlier.

“Fredbear, it’s Evan and some of the family!” the man called, and a heavy shuffling could he heard in the room.

“Come in!” responded the deep, familiar voice. Evan obliged, opening the door just long enough for the family to squeeze in before guests saw and thought they were getting special treatment.

There standing in the center of the floor was Glamrock Freddy, as shiny and pristine as the day Gregory first met him. His smile was as warm as a robot’s could get as he catalogued today’s visitors, and of course his focus was immediately directed to the sole child of the group.

“Gregory!” he exclaimed, kneeling down and holding his arms out for a hug. “It is so good to see you, superstar!”

It was him, just as he remembered from his dream.

“Freddy!” Gregory found himself shouting, careful not to call him Dad. Still, the urge persisted even as Gregory fell hard against Freddy; the stalwart mechanical bear was a steady rock in an ocean of uncertainty right then. Gregory knocked hard against the bot, deriving a loud “Aww!” from his Aunt Liz as he flocked quickly to his idol.

She hoped that Gregory never got too old for these characters. His love for Freddy never failed to bring a contagious smile to her face, watching as Gregory nestled in before remembering exactly why they came here to begin with.

Pulling back after the short but intense embrace, Gregory sighed with relief that the bear seemed pretty much the same overall. “Boy did I miss you, Freddy…”

Then, it was down to business. Hopefully Gregory could start getting some answers around here.

“Are you feeling okay? Notice anything weird?” he interrogated, scrutinizing every slight flex of the emotional responses he saw in Freddy’s eyes and ears.

“I am feeling wonderful; thank you for asking!” Freddy replied brightly, still crouched to speak on Gregory's level. His incandescent blue eyes tracked the boy's movements as normal, and they flicked up to Michael when he bent at Gregory's side.

“I hear you got a big software update,” Mike remarked with a grin, examining him with the same ferocity his son was. “Sammy asked us to check in and make sure you're doing good.”

“Your concern is greatly appreciated,” Freddy replied, not minding the scrutiny in the slightest. Looking back to Gregory, he added: “I am not sure what you define as 'weird,' superstar... but I did receive an alert regarding a security threat in the Daycare earlier, though Roxanne and Monty seem to have taken care of it.”

“Yeah, irate parent.” Michael stood, shrugging with a little huff. “We got it sorted, so no worries.”

“Ah... I am sorry you had to deal with that.” There was a beat of silence, until Freddy reached out a blue-clawed paw to gently push Gregory's choppy bangs out of his face. His head tilted curiously, looking the boy up and down with an appraising gaze. “Gregory... are you feeling alright? My health scan indicates a mildly elevated heartrate indicative of anxiety.”

Too late, the bear realized Gregory might not want to go into that topic—although at least Freddy stopped before mentioning the word “nightmares.” The boy had confided in him many a time about his dreams, and since they weren't a direct, physical threat to his well-being Freddy didn't feel compelled to share all the details with his guardians. It was no secret they talked, but still... Gregory had explicitly said he didn't like bringing the topic up around anyone but his dads, and here he was mentioning it with Evan and Liz in the room.

Ah, well. He was just a robot after all, and even the most advanced AI can err.

Michael did say it was alright to be honest. Gregory was around people that understood him and his situation. Everyone already seemed to know he was a little different...

“No, my heart feels like it's gonna explode. I've been really anxious all day.” That was the shortest explanation he could give. Hopefully, it would take suspicion away from him and his sudden bout of amnesia. Gregory laughed; it was humorless and unconvincing to his parents and the guardians around him. “I woke up inside the ball pit in my backyard after a REALLY long nightmare...”

After a few seconds of uncomfortable silence on his part, the façade of calm shortly fading before he fumbled for the little robot on his belt loop. “Look though! Pappy gave me this little guy! I'm gonna call him Ditty.”

He held the spider-like musical bot flat in his small palms. The little guy shimmied slightly and played a midi tune while waving to Freddy, and Gregory desperately hoped the little bit of good news would mask how fucked up he was really feeling.

Jeremy looked to Michael, unsure of what to do. Gregory was indeed acting strangely. “Greg, let us know if you need to take a minute to yourself... I'm worried you're gonna get a burnout today.”

It'd happened before: Gregory trying to take on the stress of socializing and having full-on panic attack without either his or Michael's knowledge until he was deep in the throes of stress. It was painful to watch and sometimes even harder to get Gregory to talk about what set him off. Though it certainly gave Jeremy a bit of hope that he'd feel alright, given he mentioned this nightmare he had. Even if he didn't go into details, even just admitting it was a huge step.

“I-I'll be fine, Dad. Promise,” Gregory assured, holding Ditty tenderly in his mitts, careful not to squish or restrict his free movement as the little music man played a sympathetic score for him. Ditty wasn't big like Freddy; all he could do was hug his thumb to show his support.

“Hey, trust me, kiddo—” Evan smiled down at Gregory with a hint of worry deep in his eyes. “—the worst thing you can do is hold it in or not take a second to breathe. Remember how I told you I used to get scared all the time?” He shook his head, glancing to the floor with a far-off gaze. “I can't tell you how many times I tried to push past it and just ended up crying on the floor...”

Sometimes, Evan's honesty was jarring. The adults all knew about his past, of course—Michael and Liz lived through it, and Jeremy absorbed the information through stories and osmosis of being tied to the Aftons for 20-odd years. Evan found that the connection with Gregory, though admittedly not a fun one, made it easy to understand what he was going through to a degree. If he could help his nephew in any capacity when it came to emotional setbacks, he'd jump at the chance.

“...What Evan's trying to say is don't bottle it all in, okay?” Michael clarified after a moment, running a hand through Gregory's hair. “We're always here for you.” His eyes drifted to the large animatronic and he couldn't help letting out a soft chuckle. “Even Freddy. You can turn off Papa Bear mode, Fred—he's going to be alright.”

“Ah... I apologize if my focus was unnerving,” the robot stated, finally getting back to his feet. He'd been watching Gregory intently, analyzing for further signs of distress. Bad dreams weren't nearly as easy to treat as bruises—Moon would be the best animatronic for consolation regarding that topic. Regardless, Freddy still knew a few ways to comfort a child, and a topic change was a good one. With another bright smile, he held out a claw for Ditty. “That is a wonderful little invention! May I hold him for a moment?”

It wasn't Gregory’s intention to worry anyone, and while that was partly why he was apprehensive to tell them much, he had to talk at some point. The boy bit his tongue, feeling the distinct and sudden sting of tears about to break. Against Evan's advice, he held it all in after hearing Michael's words.

Papa Bear...

“Yeah… Yeah, here hold your palm out flat. There you go, Ditty...” Gregory offered the little man up for Freddy to take. The mini musician scuttled into Freddy's palm immediately, waving his teeny arms at him to get his attention while playing an entirely new midi. Toreador's March chimed through his crystal clear speaker.

Gregory watched the two interact out of the corner of his eye, leaning into Michael with a half-buried face as he knew he wouldn't be able to hide emotional distress from Freddy's ever-watchful sensors. It was hard being a priority sometimes. It meant he couldn't hide.

Maybe his uncle was right. He needed the issues to come into the light to stop feeling so badly.

But how do you explain a dream so messed up, it incepted your very memories?

Briefly surprised, Gregory pointed out: “Oh that's a new song...”  

Michael didn't hesitate to lift Gregory up and hold him against his chest, one arm underneath to keep him stable and the other wrapped securely around his back. Most thirteen-years-olds would cringe at the thought of their parents holding them like this, but Mike was secretly grateful Gregory didn't mind. The day he refused to be picked up would mark a turning point that meant he was growing up, and Mike didn't know how in the world he was going to deal with that.

When the little music man started playing a new tune, Michael huffed a laugh that shook Gregory slightly in his arms.

“Oh my god... one of the earlier Freddy models used to play that,” he explained, watching the robot with interest. 

“Oh yeaaaah,” Evan drawled, vaguely remembering the pizzeria Michael referred to. “That was one of Fredbear's idle songs, right? Man, I swear dad never forgets anything those guys performed...”

It was nice how William's gift brought back little memories for each other them. Charlie found herself sighing contently at the music. “Yep—that's a classic...”

It was such a long time ago. The older models long-since retrofitted with newer AI to keep up with the popularity of the Pizzaplex. Still, their old vintage charms never escaped the grownups even now. Charlie could almost hear the music box at the prize counter, Grandfather's Clock perpetually stuck in her head given how long she stayed by her Puppet's side.

Elizabeth watched in awe at the teeny marvel. Looking to Jeremy, a devious little smirk slid across her face. “Still have that fear of Music Man, Jer?”

“No way!” He laughed, albeit sounding nervous when Liz didn't look quite convinced. Ditty was fine! It was the big fella in the West Arcade that made him nervous. Looking to Gregory now, he told their kid: “We don't talk much about the old locations. We should try to find our old photo albums later! That'll jog some good memories of the place.”

Gregory was previously under the impression that working for any of the old locations was a complete nightmare. The things Evan told him were few and far between, but with Michael to constantly remind him that it was a surprise to everyone in the community that their family was never run out of town from gross incompetence shocked him to his core.

Grasping Charlie's arm, Liz asked her: “Wait—remember when our dads got into that screaming match in the back parking lot at Fredbear’s?”

Holding her friend back, Charlie's eyes went wide. “Oh my GOD! Yes! Our moms made them hug it out!”

William and Henry liked to yell at each other. It usually wasn't for real, as they both would just get equally excited about things that annoyed them mutually. Though their mothers hadn't exactly liked them screaming in front of the kids, so in an effort to seem more “normal” they had the two CEOs hug it all out instead. The two made it a point for the next week to hug in front of their wives, much to the poor women’s annoyance.

“Your mom was fed up!” Charlie reminisced, showing Gregory just how warped his perception of everyone was in his dream.

“They’re ridiculous,” Michael agreed with a shake of his head.

Freddy, who’d been completely content to listen to the family reminisce, used the lull in conversation to hand Ditty back to Gregory. “What a sweet new friend; be sure not to lose him!”

Just then, a chiming jingle issued forth from Evan’s pockets. He pulled out his phone, making a face with a muttered “Uh-oh” as he checked the caller ID. “Hey, Cas—”

“Evan, I love your little gremlins but will you please come get them before they melt my ears off?”

Faint screeching could be heard in the background, and Evan winced at the distinctive sound of his triplets annoying the crap out of his best friend. Even the others could hear despite the lack of speakerphone, as evidenced by Michael’s brows shooting up to his hairline. When with their parents, Evan’s kids were little angels. But when they were with a babysitter…

“Yup, noted; on the way asap!” Evan responded, clicking off the phone before Cassidy could gripe at him more. He was already going to get an earful in person. Looking to the others, he gave a short laugh. “Heh… guess that’s our cue to get moving. Bye, Freddy!”

“Goodbye!” the friendly bear waved, and everyone wished him well in succession. He saved Gregory for last, gently ruffling his hair with that happy grin. “I will see you again soon, superstar—please do not hesitate to visit anytime you wish!”

Gregory was preoccupied with clipping Ditty back onto his belt loop. It was jarring to be taken away from his friend so quickly, but his cousins were growing impatient. Though Gregory wasn't sure how much he'd like hanging around little kids so much… He hoped June was more around his age.

“Bye, Freddy!” Gregory called, grasping onto his father's shoulder as the group made it for the door. Alas, there was no time to ask Freddy about what was happening in his life. The visit was over so fast because of Cassidy's distress call. She could clearly only take so much babysitting before Evan's kids took over Mazercise with their overwhelming hyperactivity.

As they approached Chica's noisy attraction, Gregory grumbled and buried his face hard into Mike's shoulder. “It's loud in there.”

“You don't have to stay in there long if you don't want to. Just let us know where you're going, got it?” Jeremy said, reaching up to pat Gregory’s shoulder. It was fine if he wandered off, so long as he could find Gregory after he left.  

They’d barely opened the door to Mazercise before Evan was set upon by a group of three identical children. The Afton genes were strong, since—unbeknownst to Gregory unless he remembered looking in old photo albums—the kids were nearly a spitting image of young Michael… meaning they also shared quite a bit of William’s looks as well.

“DAD!” they cried in unison, nearly bowling Evan over with the force of their combined hug. He’d preemptively braced himself, feet locked in position as six hands tried to wrap around his waist.

“Hi, munchkins!” Evan greeted warmly, wrapping them in a bear hug. With an apologetic smile, his eyes lifted to Cassidy meandering nearby. “Thanks again for taking them, Cas. Hopefully they weren’t too much to handle…?”

Gregory had looked over the various kids. Oh man, how was he going to tell the difference between them? They were all nearly identical and with the way they all swarmed Evan, he couldn't keep track of them as they circled their father like hawks. Cassidy, with her messy black hair set up in a curly low bun and hands on her hips shook her head at her friend.

“Not yet! Glad you came when you did, though; I couldn't hold them back for much longer,” she laughed, rolling up the sleeves of her loose-fitting top as she said her hello's to the group. Judging by the bags under her eyes, she was getting pretty tired and needed the well-deserved break from babysitting.

When Gregory was caught in Cassidy's stare, he immediately knew what was coming. Despite the obvious age difference, there was no doubt the snippy girl was going to pick on him—

“Evan's clone! Good to see you, buddy,” she subverted, smiling sweetly at Gregory. It made him want to question her and everything he knew all over again.

Who the hell are you and what did you do with Cassidy?! his mind screamed. Would Cassidy turn out to be sort of nice were she not a vengeful spirit? In a strange way, Gregory would almost rather she picked on him at least a little bit, even if his feelings weren't going to be spared.

“Hey, Cassidy,” Gregory greeted, cut off as he felt something poking his dangling leg. A girl with dark hair and a face full of freckles stood beside him, nudging Gregory to get his attention.

“What are you doing all the way up there?” she asked, somewhat annoyed. The girl’s tone was muffled, mouth full of candy as the stick of a lollipop stuck out from the corner of her lips. It was clear who she was without anyone even saying: this was Charlie's daughter, as she was the spitting image of his friend when she was much younger and closer to what Gregory knew.

“Uh... It's got a nice view?” Gregory said, managing to bring a smile to June's face.

“Well, get down here. You don't get to be taller than me yet,” she scolded, a playful smile forming over her candy-stained mouth. She seemed fairly nonthreatening; the way she spoke to Gregory sounded as if they’d been long-time friends.

Gregory poked his dad now, queuing for him to let him down to say hi.

“You just wait, June,” Michael teased as he set Gregory back on solid ground. “One day you’re going to turn around and Gregory’s shot up like a beanpole.”

Jeremy couldn't stand the thought. One day their son was going to be just as, if not taller than himself. Another sobering reminder that he was quickly growing before their eyes, along with the rest of the tikes in the family.

“Don’t remind me of that possibility,” Evan remarked with a slightly pained expression. “That means it could happen to these ones, too…”

“Daaaad!” the sole girl whined, tugging Evan’s pant leg. Now that greetings were over, it was time for business. She stared up at him with hands on her hips not unlike Cassidy—perhaps Evan’s bestie was more of an influence than she realized—the little brown pigtails tied under her ears bouncing as she talked. “Theo and Teddy said I couldn’t play golf with them ‘cause Monty said I suck!”

“Tabitha! You know we don’t use language like that!” Evan chided in the age-old lilt of an exhausted parent.

“But they said it first!” the girl insisted, to which the boys shook their heads vehemently.

“Nu-uh!” Teddy and Theo countered. “Monty told us! He doesn’t want Tabby playing with us anymore!”

In response, Evan could only sigh and massage the bridge of his nose.

“Look at him,” Jeremy whispered, leaning into Mike. “One bad PTA meeting away from totally losing it.”

While Gregory was trying to figure out which triplet was who, he was slowly let down from his dad’s hold and relinquished to June. She was short for her age, and like her mother she had unique, smiling Irish-green eyes. After popping the lolli from her mouth, she silently offered it to Gregory without so much as a glance. Gregory looked to her, confused for a moment until June gave him a questioning look. It silently begged to know why he didn't grab the thing from her. When Gregory finally got the memo, he looked to the grape-flavored treat and shrugged.

Now was a time, as good as any, to get over his fear of cooties. He ended up shoving the sugar stick into his cheek and attempted to act cool about it as June leaned in to hug him.

“Sorry I wasn't here Wednesday. Band practice was a freaking nightmare,” she whispered, not wanting her mother to hear her pseudo-cusses. Gregory, still holding nervous energy inside him, spoke with a shrug.

“It's whatever. I wasn't trying to hang out with a whole lot of people anyways,” he remarked nonchalantly, like he knew what she was talking about.

“One of those days?” June questioned rhetorically, not needing a real answer. She was understanding in the way that best friends were, her mental wavelength usually matching.

Though... There was certainly something off about Gregory today. He was more nervous than usual for sure.

Nearby, Evan was desperately trying to convince his kids that Monty did not, in fact, play favorites and would certainly never tell someone they sucked at golf. The triplets weren't having it though, snapping at each other like Chihuahuas until Evan suddenly proclaimed:

“Alright, I think it's time for a little sibling break!” With a strained smile, he grasped Tabby and Theo's hands, walking them over to the other Aftons. “Tabby, sweetheart, you hang with Uncle Mike and Jeremy for a little bit, okay? Theo, you go with Aunt Liz. Teddy—stop climbing the stage!”

Evan had whirled around to see the youngest troublemaker attempting to scale the stage while his back was turned. Grabbing Teddy's hand tight, he narrowed his eyes sternly. “You're staying with me for a bit. Uh—” He glanced at his siblings, realizing he'd yet again signed them up for impromptu babysitting. “—that okay? They just need to be split up for like half an hour, then they'll chill out; sorry...”

“It’s fine, Evan,” Michael chuckled, keeping a tight grip on Tabby's hand as he could already feel her start to pull away. Looking to Gregory and June, he raised a questioning eyebrow. “You guys want to check out another attraction? The bowling alley usually isn't that crowded this time of day.”

He was more than happy to look after part of Evan's brood, but his own son was top priority. Gregory seemed overwhelmed again, so Mike figured a relatively relaxing time at the bowling alley would be a welcome change.

...Plus it'd give Jer a chance to sneak in the back with Gregory and make the famed kitchen-sink-slush for them to enjoy in secret.

Cassidy could be seen smirking at it all. Evan was the one that left her alone with what she would affectionately call 'crotch goblins' when out of earshot from the kids. She did love them—but in the fun loving Aunty way. There was obviously a priority for their fun and safety when she was on babysitting duty, though there was only so much she could take. Seeing how her friend was already at his wits end, she would stick with him. Theodore was being a little instigator today and was working up his siblings.

“Theo—be good for your dad and I'll get you something nice later,” Cassidy remarked, which seemed to grab the laser-guided attention of his siblings. Before they could start, she pointed to each of them with both her hands. “That goes for you guys, too! You will be good and you'll all get surprises. But if one of you acts up—” Cassidy clapped her hands together to provide emphasis. “—nothing!”

Going to Evan, she was recognizing that iconic Afton glare in his eyes. The hard look usually deterred most children from acting up... Unless it was their own flesh and blood. The triplets called their dad's bluff constantly.

“Easy, Evan,” Cassidy warned, touching a light hand to his bicep. “You're getting the scary eyes...”

Overhearing this, Charlie would chuckle lightly in passing. Scary eyes. She hadn't heard that nickname in years. Not since the last big meltdown that William had at Fredbear’s before he moved management... Coming over to her daughter, Charlie saw that June had given up her lollipop to Gregory and made a face.

“Gross guys. Gross,” she remarked, a hint of a smile peeking through the cringe. Like she hadn’t shared food with Michael over their younger years, sometimes to a questionable degree. Jeremy looked between them and laughed raucously.

“It's just germs! No worries.” Jeremy was laid back about it, even if it was just a little gross.

Gregory popped the candy out self-consciously, but managed to answer Michael. “I could go for some bowling.”

To which June replied with a nod as Tabitha joined their flock. Ditty clapped his tiny hands, excited to make more friends on his first day of being powered on.

“That settles it—meet in the Daycare in an hour?” Michael suggested, looking to the group. If the kids still had energy, who better to help burn it off than the Daycare attendant? By the time they returned naptime would be well over, so Sun should be wandering around ready to pull more kids into his fun and games.

“Sounds good.” Evan nodded, his face softening from the “scary eyes” he really couldn't keep up no matter how hard he tried. There was a reason his wife was usually the disciplinarian... he caved far too easily when it came to his kids. “Call me if they're trouble—we'll have to give Aunt Cas a report at the end of the day.”

“I'll be good!” Tabby insisted, her hand shooting up in the air to wave frantically. Whatever the promised surprise might be, she wanted it.

“Me too!” Theo insisted, while Teddy nodded vigorously with a hum of affirmation.

“Let's get a move on, then!” With a gentle tug, Mike urged his niece forward. He held out another hand for Gregory in case he wanted to take it, though his attention was diverted as Tabby suddenly gasped and jerked him slightly in excitement.

“Uncle Jer!” the girl exclaimed, thankfully still walking forward despite her clearly trying to make a break for the blonde. “Guess what?! I beat Theo and Teddy at laser tag yesterday! I was on a different team, so we were hiding but trying to find each other and then Teddy found me and he was like pew pew! But he missed, so it was my turn and...”

Michael couldn't hold in his snort as the kid started to ramble, recounting her story to the group but looking mostly at Jeremy while she spoke. It was easy to tell the favorites, especially when they were young—clearly, out of the Fitz-Aftons the Fitz side was the winner in Tabby's book.

As she rambled, Gregory looked to June who walked in quietly besides her friend. When she caught him glancing over, she would flap her fingers and thumb open and closed while mouthing “Bluh bluh bluh...” Playfully mocking the rambunctious cousin.

Charlie diligently nudged her daughter to tell her to knock it off. The damage already was done, and Gregory had to shove the lollipop back into his mouth to stop himself from laughing. Sometimes, June joked around far too much. Though now that she was a teenager, the boundary pushing was getting worse. She was starting to take on a rebellious streak that reminded Charlie far too much of Michael in his younger years.

“Wow...” Jeremy concluded, looking down with an impressed eyebrow raised high on his forehead. “You must be some kind of sharp-shooting space cadet, Tabby! It's a good thing you're in our group, then! Who knows what danger we'll run into?”

Gregory held in his opinions about the dangers of this place, finding himself scoffing quietly under his breath as they all went merrily along to Bonnie Bowl. Crowds parted for the first portion of their trek. However, the group did not anticipate the highly sought after and prized plushies going on sale in one of the many retail shops on the way. The patrons swelled, standing and crowding the aisle...

Gregory glared at the large crowd, then refused to move his feet. No way was he going over there. Big, lumbering elbows like that were unpredictable. You could get stepped on! Or elbowed.

Or taken right from plain sight.

He remembered that dream; the way it first started with him watching Freddy and the Glamrocks performing. How Vanny, still looking like a helpful security guard at the time, came and tried to lure him away just like she’d done for all the others. How Gregory had run for his fucking life when he’d caught that evil glint in her eye.

As his family walked, sure that he was holding onto someone's hand, Gregory's thoughts were pounded by intrusive flashbacks.

It was in fact Michael Gregory managed to get ahold of, and therefore it was Michael who noticed him stall like a car that'd run out of gas. For a second, they were nearly pulled apart by the crowd and Tabby's insistent tugging right towards the center of the build-up—but then Mike managed to pass her along to Jeremy with an appreciative smile and slip back to Gregory's side. He didn't say anything as he hoisted his son up and made a beeline for the backrooms. Gregory hating crowds was nothing new, and as Jeremy and Michael reasoned earlier that day, surely the Saturday rush would get to him at some point.

And so, without fuss or drawing extra attention, Mike carried Gregory to the safety of the employee-only areas for a little breather. Rubbing soothing circles on Gregory's back as the kid clung to his shoulders, Michael remained quiet until they were in the blessed sanctity of the closest security office.

“Whew!” Mike breathed, locking the door and sitting down heavily in one of the swivel chairs. He allowed Gregory to rest in his lap, spinning in a slow circle with a little grin. Hopefully his son wouldn't pay attention to the obvious concern in his eyes.

“I don't know why we keep trying to come on Saturday,” he mused, stilling the chair only to scoot closer to the computer monitor showing a few nearby security feeds. This office was tiny and had a limited range of cameras—the perfect place to hide without worry of being bothered. “I've gotta either get Sam to stop asking me to help on my days off, or start charging overtime...” He hummed thoughtfully, glancing down at his son. “I'm thinking overtime—more money means more fun stuff we can buy, right?”

Gregory had already been pressed so many times today about whether he felt okay. The last thing Mike wanted to do was prevent him from talking by showing over-concern. His son would open up in his own time, as long as Michael was patient.

Gregory was indeed snatched away, but not by any stranger with ill intentions. Michael charioted him from any perceived danger and took the utility hallway to the nearby security rooms—a place that had always felt safe for Gregory. He relaxed visibly, a long sigh escaping him as he finished the candy in his mouth. The danger wasn't far from his mind on top of everything else, but being here for a clam moment with his father was just fine.

“Sam doesn't pay overtime?” Gregory asked, finding that surprising. Maybe this version of Sam was a little more frugal considering all the family members he was employing. Experience or not, the nepotism was real.

Gregory shook his head; that wasn't really what he wanted to talk about. Instead, in a low voice he murmured: “Dad? I don't think I'm good...”

Still keeping him on his lap, Michael held Gregory out by the shoulders. Now that they were alone and without fear of family barging in with another exciting thing to do, Michael could really look at him. To his relief, his son didn't appear to have any physical injuries. He'd really started to get worried that Gregory bumped his head, but a hand through those shaggy locks didn't reveal any concerning lumps.

His face, though... never before had it been so haunted. The look in his eyes was far beyond Gregory's almost-thirteen years, and—

Those eyes.

Michael thought something was off about them earlier, but he'd chalked it up to a trick of the light. A gentle inspection by turning Gregory's head from side to side proved that this wasn't the case. Somehow, they were a strange, practically glowing silver.

“...Okay.” Michael's tone was calm, despite the screaming in the back of his mind. He'd never seen something like this before. Did Gregory even know? It seemed like he could see perfectly fine, so clearly this wasn't affecting his vision... “Okay. Can you... tell me anything that feels wrong? I need to know as much as I can so I can help you best.”

Gregory was fine with his father's seemingly routine inspection of his face. Though the moment Michael locked eyes in his, he realized what exactly he was trying to deduce.

Were Gregory's eyes always like that? the boy could practically hear him think. It raised alarm bells in his head. If he didn't always look like this, then his dreams may have been more tangible than he previously thought...

“It's my head—my memories...” Gregory tried to explain, blinking away the feeling of harsh scrutinizing. “Dad, my dreams were so bad I can't remember anyone here... It's so scary; I-I remember you, and Charlie and Evan but—wrong. Same with the others!”

Balling his fists in his lap, Gregory used the pressure to keep himself from shouting from the frustration he felt. What horrible thing had he done in a past life for the universe to keep messing up this one?

“I'm so confused... I-I don't know what to do.”

The crease in Michael's brow deepened the more Gregory spoke. He'd had some horrendous nightmares before—ones that woke him up screaming or left him shaking in a near-comatose state until one of his dads rushed in to soothe him. That first year of Gregory's adoption had been rough... but since then he'd been steadily improving. Each day was a little better. To see Gregory fall so far back because of one fucking dream was deeply distressing.

Michael tried his best not to let it show, but he knew he was doing a horrible job of it. If not for that startling thing he'd just discovered, he could chalk this all up to a flashback or emotional regression—something they could deal with in time. It may take another round of intensive therapy, but they'd gotten through it before and they'd get through it again.

And yet, there were those eyes staring back at him, silver and almost pained.

“I... I wish I could give you some answers, Gregory,” Michael admitted. He took a deep breath, trying to center himself. “I wish I could reach into your head and see what you're going through so I can understand. But... all I can say is that this is your life. This is your family just as they've always been, and even if you're a little confused please don't doubt that we all care for you deeply.” He shook his head, huffing in frustration. “I wish I could fix this all with a snap of my fingers, but the best I can offer is to take you home and let you spend the rest of the day in bed if this is too overwhelming.”

He'd certainly be calling the shrink for a second opinion while Gregory was resting, too.

Gregory breathed out through his nose and leaned his head on Michael's shoulder. The only reassurance was that his family would still care about him no matter what which reality was the true one.

“Okay...,” he muttered with some acceptance, knowing there wasn’t much else he could do.

In the end, he would trust Michael. The man was one of the only few people Gregory could truly rely on in the short list of family. And, though he’d never got the pleasure of meeting Jeremy in his dreams, the blonde had swiftly been added to that list.

“...I love you,” He reminded Michael. Wires crossed in his brain, slowly accepting the reality while trying not to think of his fucked-up dreams. This was real; that glitched Pizzaplex wasn’t. “You and Dad. Both of you are really good to me. I appreciate you guys a lot...”

Gregory had no clue if he ever spoke to them so candidly before. He blinked slow, glowing eyes at Michael as he calmed down in his hold.

“We love you, too,” Michael reassured, a smile breaking through as he rubbed a thumb over Gregory's cheek. “So very much.”

Gregory had said things like this before, though they weren't as common nowadays as they used to be. He'd taken time to adjust, of course, but once he realized that Michael and Jeremy did love him unconditionally, Gregory had been eager to return the affection. With the years together came more silent ways to show they cared for each other, so the phrase I love you wasn't uttered as much—especially in recent times as Gregory entered the dreaded preteen years. It was so nice to hear those words again, and Michael could feel a few tears well up in his eyes before he could stop them.

“Ah, shit...,” he murmured, swiping the liquid away with his sleeve. Then he froze with a guilty expression, quickly telling his son: “Uh... don't use bad words, Gregory. And don't tell your dad I said that.”

Gregory's eyebrows silently raised for his hairline at Michael's curse words. Apparently his sailor mouth was a habit he’d never grow out of. As a ghost, Michael didn't exactly encourage this way of speaking, though he never scolded Gregory for any harsh language displayed between them.

Now that his nerves were eased some, Gregory could joke with his dad. Laughing, he attempted to haggle for a deal. “I won't tell Dad you cursed, but I get a freebie later.”  

“Mm... okay, but you can only use the freebie when it's just you and me,” Michael haggled right back. “Don't want Jer lecturing both of us...”

Michael’s phone chimed with a notification that rumbled in his pocket. Jeremy and the crew had landed at Bonnie Bowl and his husband so delicately inquired:

Did you guys split to go take a leak?

Mike snorted at the eloquent text. With a chuckle, he typed a response while saying to Gregory: “Your dad sure has a way with words, kiddo.”

Greg got overwhelmed by the crowd so we hid in a backroom... doing better, but he's overstimulated so gonna take him home soon

He sent the message, then paused when he realized Jeremy was in fact their ride—or at least, the keys to the ride were currently in Jeremy's pocket. Thankfully, Jer had the message open, quickly replying as he laughed to himself at the Bowling alley.

Good luck hot wiring the van boo

Not wanting his tone to sound facetious, he then quickly offered him a better solution to get home.

How about I get our slushies and drive us instead?

Obviously that choice was a decision placed solely on Gregory’s shoulders. All things considered, with Gregory’s inability not to trust anyone so easily until they’d proven their dedication to not attempting to kill or maim him in one way or another, he should naturally fear Jeremy. Yet Gregory found himself unable to be wary of the man. Jeremy was easy-going; a man of naturally calm aspect—and nurturing on top of that. Clearly Michael found something good enough in him to marry the dude, which meant a lot in Gregory’s book.

“Yeah! I mean—” Gregory laughed, almost feeling silly that Mike had to ask such a question. “—he’s my Dad. He’s gotta come back with us…”

He was unwilling to leave Jeremy behind now. His presence was welcome, despite being an unknown variable.

Sounds like a plan, babe; meet u at the car

Michael sent the message while chuckling at Gregory's comment. “That's very true—if we left him here, Pappy would have to drive him back and I still don't like the thought of those two being in an enclosed space together for more than five minutes...”

Locking his phone and slipping it back in his pocket, Michael once against lifted Gregory into a secure carry. “One more trek through the crowds, then its home free.” He walked them to the door, pausing with his hand on the knob to check in once more before they set out—and to offer a warning. “I'm about to hone my years of high school track to get us out of here at the speed of sound... Ready?”

Gregory laughed at this. Opening up really did help; he just needed those words of affirmation to push through the hard feelings. And while he was being hoisted into Michael’s protective grasp yet again, he couldn’t help but think of his dreams.

Maybe in his own brain’s interpretation of Pappy, he’d pictured his grandfather’s and Jeremy’s bickering as something more extreme on William’s end. A murderer and betrayer of their family. That obviously wasn’t the case in real life; this delusion was something carved from nothing more than misguided, deep-rooted anxiety.

…Probably.

“You got this, Dad. I’m just gonna—” Gregory folded his face into Michael’s shoulder. He didn’t care to see the judgmental masses as they ran by, though he was ready now for whatever came their way.

Outside, the afternoon sun was beating down on Jeremy. Cold drinks were safely inside the van with the AC gently blowing over them as he waited for any signs of his family in the crowded car park.

“Aha—target spotted!” Michael announced once they'd entered the harsh glare of daylight and caught Jeremy's blonde hair shining like a beacon. Still keeping up the fast pace, he made it to Jer in a matter of seconds. Mike wouldn't admit he was winded, though it'd been a long time since high school track...

“Hey!” he greeted, pressing a quick kiss to Jeremy's cheek. Gregory had lifted his head to look around by this point, and with a grin Michael lowered him to peer into the car. “Seems like you're getting that slushie after all, huh?”

“Whaaat?” Gregory asked, leaning away from Michael to glance through the tinted windows. Sitting inside the little family van along with two identical slushies was a rainbow concoction: a menagerie or flavors layered but not stirred, meant to be enjoyed by those who favored variety in life. His mouth watered at the sight.

“I couldn’t leave my two favorite guys hanging!” Jeremy laughed. Unlocking the van and sliding open the door for Gregory, he lifted their son from Michael’s arms to aid his winded husband. “I’m making grilled cheese when we get home.”

He figured the kid would be pretty hungry by the time they got back as well. He was happy to see his son’s face light up with the simple phrase; Gregory did look like he was feeling better! But it was still evident to Jeremy that the boy must’ve been crying, judging by the strange glossiness to his eyes…

Apparently, Gregory just wasn’t ready for Saturday’s at Freddy’s yet.  

The drive was spent mostly in silence, save for the sound of slushies sucked through straws with reckless abandon. When they finally parked at the house, Michael was quick to let Gregory out and usher him inside, noting the boy definitely seemed better with the drink in hand.

“Greg, you wanna hang out in your room for a little bit while we get sandwiches ready?” he suggested with a knowing look in his eye. Perhaps going through some of his old things would jog the kid's memory...

Too bad Gregory tried that before with minimal success, though Michael didn't know this. Really, Mike wanted a second alone with Jeremy so he could fill him in on the situation. He was glad Gregory trusted him so much, but this was a lot to deal with on his own... and since their son expressed his trust of Jeremy Michael felt it alright to give him at least an overview on what was happening.

That's right, Gregory still needed to go through all those notepads and papers he found... He hadn't even touched the locked journal under his bed yet. It would give him a chance to reacquaint himself with the world around him. Whatever dissociative spell came over him might be lodged loose with some help from his own personal thoughts and feelings.

“Yeah, I need to chill for a second. Thanks for the slushie, Dad!” he told his caretakers. The drink was halfway full, he'd have to hurry and drink the rest before it became a muddy brown color from the melting flavors.

Gregory was mindful of no running in the house rule, though the sugar certainly helped his mood and begged for him to move his legs. Before he could fully walk away, Jeremy grasped him around the back of his shoulders and hugged him tightly. Much to his pleasant surprise, Gregory didn’t fight his embrace.

“Go unwind; love you, kid.” Grinning, he planted a kiss to the very top of Gregory's skull. He probably flustered the poor teen, as Gregory laughed at this and tugged away. After Gregory meandered upstairs with Jeremy watching as if to make sure he got to his room safely, Jeremy planted his hands on his hips.

“We really need to pick that kid up some eye drops. His allergies must be going crazy today...” Jeremy sighed sympathetically as he made his way for the kitchen to start on dinner. More likely, Gregory’s eyes might be dry from sobbing all day. He remembered being sad at his age—always getting choked up for one reason or another.

Michael was watching the stairs too, though his gaze shifted to Jeremy as he spoke. God, he hated to worry him... But he had to clue him in that this was something much more serious than they'd anticipated.

“Jer—” Michael caught Jeremy's hand as he reached the counter, speaking in hushed tones in case Gregory wandered out of his room. “—I don't want to freak you out, but... I think we might need to call Gregory's therapist again for an emergency appointment.”

He could see Jeremy gearing up to speak, that tell-tale widening of his eyes at the notion of something amiss with his son. Michael pressed on, lacing their fingers together as he did his best to explain.

“I... honestly have no idea what's going on, because Gregory doesn't either. But when we were in the security office, he—” Michael faltered, running a worried hand through his hair. “—he said he didn't... remember any of us. I mean, not like we are now. That nightmare he had was apparently so real it made him think we're the dream. Also, his eyes—”

He winced, looking to the floor and finally showing the emotion he'd been trying to hide from Gregory all day: fear for his son's well-being.

“I don't know how to help him, Jer...”

With Jeremy’s attention captured, Michael’s husband leaned against the counter to listen to him with an increasingly broad worry line that formed in his forehead. It made Jeremy wonder how the hell he didn’t notice anything before—and now that Mike mentioned Gregory’s eyes, he felt so dumb for not doing anything the moment he saw there was something different.

Jeremy dragged his palm up and down his face to try and ground himself. Though when he opened his eyes, the distress on Michael’s face made him flock to his husband and hold their hands together, unsure how much it would help.

“Do we need to take Gregory to the hospital?” Jeremy finally asked. This was going to be a hard decision, something that might cause Gregory a ton of undue stress should he be perfectly fine.

But the near-complete intrapersonal memory loss was insane to Jeremy. How could such a thing happen just because of a dream? His boy didn’t remember any of the fun things they used to do together… No wonder Gregory had been looking at him like he had four damn heads!

“I think with his eyes and the memory loss, this might go beyond the therapist—he might need medical attention,” Jeremy said very quietly. The last thing he wanted was for Gregory to overhear his fathers talking about what might be wrong with him.

“I don’t… know,” Michael admitted softly. He knew how insane that sounded—with everything going on, they should take Gregory to be checked out immediately. And yet…

“Something’s telling me not to.” A harsh, confused frown twisted Michael’s face as he rubbed his thumbs over the backs of Jeremy’s hands. “It sounds crazy, I know—I’m usually the worrywart who’d be the first in the car. But…” He shook his head, then cast a glance in the direction of Gregory’s room. “I think we should give him until tomorrow—see if he snaps out of it. I’d hate to stress him out more with hospitals.”

That was another thing Mike and Gregory shared: a strong dislike of hospitals. Michael didn’t know where his aversion came from, but for whatever reason the sterile air always unnerved him. That didn’t mean he wouldn’t take his son in his time of need, of course—but like Jeremy, he didn’t want to put Gregory under undue strain.

“He doesn’t seem to have any vision problems; maybe we can wait until morning and see how he feels,” Michael suggested. “He was getting a lot better until the crowds kicked up, and you already saw him acting more like himself in the car. I don’t want to take him to the hospital and, I don’t know… have him regress more. What do you think?”

Jeremy was soothed by this admission. Thank god this wasn't something that might require an emergency visit to the ER or therapist whenever possible. Jeremy nodded along with what Mike was saying, as he raised good points.

“I'll call Doctor Freeman, get an appointment scheduled, and we'll go from there,” Jeremy said with certainty and calm. “Do you wanna get dinner started? This might take a second.”

Jeremy slowly let go of Michael's hands—even though his own were fumbling with shaking nervousness as he grasped for his phone. This was nerve-wracking. How does something like this have to affect their son?

The kid never did anything wrong in his life; nothing on purpose, anyway. Gregory was one of the coolest kids he knew—and he wasn't just saying this because he was his kid. Jeremy just didn't understand why life had to be so cruel sometimes. Gregory was probably freaked out all day and unable to communicate this.

Scrolling through his contacts, Jeremy found the therapist’s number and began to dial it. He held the receptor to his ear and listened to the dial tone while nervously rapping his fingers on the smooth counter top.

Grilled cheese. Michael could handle grilled cheese.

“Sure thing,” he said, managing a tiny, shaky smile. Before Jeremy pulled away fully he was able to snag a quick, appreciative kiss on the cheek. “Thanks. I’m sure he’s going to be fine.”

Michael’s tone betrayed his lack of confidence. It was useless to dwell on the situation though; they’d check in at dinner and see how Gregory was feeling. Hopefully his memory will already improve and set a pattern for his recovery. With that worried crease seemingly etched into his brow now, Michael got to work making the sandwiches.

That kiss made Jeremy stay in the room. Something about it had given Jer the feeling that his husband couldn't be alone with his thoughts on the situation right then. On instinct, Jeremy's hand came up to tenderly caress Michael's cheek.

“Of course he'll be fine. This will all blow over soon enough,” he managed to say before he heard the receptionist pick up with her usual greeting. Gently pulling back, Jeremy would answer her. “Yeah this is Mr. Fitz-Afton, and I'm calling to schedule an emergency appointment for my son, Gregory.”

After another firm squeeze around the waist, Michael was released to compete his grilled cheese preparations. A few minutes later the first sandwich was ready, and with a reassuring smile directed to Jeremy, Michael plated it and climbed the stairs to Gregory’s room.

“Greg?” he called, knocking on the closed door. “How are you doing, kiddo? I’ve got food for you!”

***

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[miasiegert]

Day 2, and one workshop photo of MY work

Before I say ANYTHING, hello to Wichita folk from Chaz. :) He was shocked (and delighted) at how much people enjoyed the show and we absolutely are brainstorming things for the future. So a huge thank you for the support and kindness. It meant a ton to him (and obviously me and David as well!)

Day 2 was a roller coaster... for ME!

I'm very suspicious because everything is going so well. Too well. Things never go this well. So I decided it was time to start really stoning some costume pieces that I hadn't before while David got supplies.

Then I got a phone call, never a good sign, from David asking me could I get the padlock open for the gate.

Padlock? What Padlock?

There are no concrete answers, only a guess... but it's believed that people who share a lot to store their boats left and padlocked the gate behind them so I was TRAPPED in the costume shop (which is a completely different building/drive away from the theatre) all alone with no food and had been the entire day while David couldn't get me.

Some chaos to get a key and get out, and David decided to go to the night time run through for notes. Chaz told me to take tonight off because I went through ND hell as there was a loud beeping noise nonstop and I had to turn my headphones up louder than normal (I usually watch a show in the background--today was "Power Book III: Raising Kanan" from Starz) so it hurt then the panic of being alone and trapped.

Anyway, what I *Did* realize was that I absolutely can share a wip of Bedazzling more of the Reba!Suit because that is my costume, that has been seen onstage before, there is no actor in it, no full costume, and it's MY original design.

Way back, we had very cheap acrylic rhinestones because we were too poor for better ones. Now, we're mixing in preciosa and swarovski with some crystal and glass ones. We have not removed the acrylics YET because a lot is carefully plotted fill ins and until I have enough time to REALLY thoroughly do it, I don't want to remove any sparkle.

So, for your pleasure (or not, Idk, maybe you don't care) this is the epaulets and belt for the Gumbie Tap Suit that's my design. If you notice a few interesting things with the waistband/tail, that is because it's got four strong snaps for the waist. There's stretch but not as much as some of our other specialty fabric, and different tappers prefer different tightness. We're hoping to add some snaps as this Jenny is between sizes and really wants a snatched waist (she didn't want to take the costume off--never seen anyone so happy before!)

I will be adding gold, yellow, and orange to it. I added purple to Misto in two shades and some AB crystals.

I forgot if I said this or not but I was requested to rhinestone Misto's shoes for his song number. I can't wait to show people pictures. I'm pretty sure there will be video. The last time I saw a very flippity Misto was my first pro production where an INCREDIBLE cheerleader/gymnast/hiphop dancer was cast. It was incredible to watch. This choreo is really fun and Misto's actor's manner actually does come across as shy and aloof at first... then super excited and happy. METHOD ACTING OR JUST HYPED ABOUT COSTUMES??? The world may never know.

I think people will REALLY like Rumple and Mungo a LOT. Cassandra is FANTASTIC.

Also anyone here have Starz? I need to gush over "P-Valley" and cry over "Hightown" s3 with someone! "Raising Kanan" is good but not hitting me in the feels the same way.